Andrew Pitts - FurnitureMaker

Workshop Update 2009 No. 1

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Hi Folks,

    Welcome to my fifth semi-annual e-mail update. I thought you would be interested in hearing more about my recent work and furniture activities!  It seems this year has been heavier than usual on the "furniture activities", as you will see as you read on. I've linked some information to sites on the internet, so just click on the highlighted and/or underlined words. Just remember to come back for the rest of this letter!
I hope you enjoy the reading.

   
I want to remind you of an interesting feature to my website. It is a Work in Progress page where I discuss how I am making some of my latest pieces. On that page you will find photos of the work as it progresses, plus lots of discussion of what I am doing and how I am doing it, especially interesting to the woodworker! I hope you will find time to browse the pages.Booth

    In last winter's newsletter I mentioned that I had decided to take the plunge and enter my work in some major furniture shows. In March I exhibited in the Philadelphia Invitational Furniture Show, held at the Cruise Ship Terminal at the old Philadelphia Naval Shipyard. As I related, that brought back a lot of memories, as I had drydocked two different Naval vessels at "Philly" and had spent a lot of time in that yard. Also, I exhibited at the Baltimore Fine Furnishings and Fine Craft Show at the France-Merrick Performing Arts Center, a spectacular building perfectly suited to fine furniture. These shows were very professionally organized and the furniture was exquisite. It would definitely be worth your while to attend one or both of these shows next year! The booth I made took a lot more of my time this winter than I had expected, but I think the end result really gave my furniture a home-like atmosphere. You be the judge. By the way, I just now discovered that a shot of my booth appeared in Woodshop News in an article about the Philadelphia show. And, I did not restrict myself to out-of-town venues; I also exhibited in Reedville during the Historic Garden Week Tour. It was a lot of fun showing my latest work to my neighbors!

    Speaking of shows, the Artisans Center of Virginia, of which I recently completed my term as a board member is trying out a new concept of craft exhibition where a "traveling gallery" moves about the State of Virginia so all of our citizens can enjoy the best in Virginia craft. The first show, the pilot project is going to be at our own Rice's Hotel & Hughlett's Tavern. I'll keep you in suspense about who dreamed this up and is organizing it, but he is a Northumberland County furniture maker! This first show will be August 15th and will be held in conjunction with the Farmer's Market. We have juried artisans filling up the Transportation Museum and are about ready to spill over into the Carriage house. Come on out to see us between 9 AM and 3 PM on the 15th!
Sundays at Two
    In February I was invited to speak at the Lancaster County Library in a series entitled Sundays at Two. I gave a lively (well, I thought so) Power Point presentation about how I mill and dry my lumber and then build furniture. I had a packed house and had a ball giving the talk. That's me in the photo showing how I designed my carved Pedestal Cabinet. I still get comments and phone calls from folks I met at the library. We are thinking of ways to do this again, this time in Northumberland County, so stay tuned.

TV Cabinet     
TV Cabinet    Last year I made a complex piece called "A Special Cabinet". It was a cabinet that would house a lift television system, a showcase for a snuff bottle collection, and hidden compartments for necklaces and earrings! Well, a very good client liked the piece so much that he asked me to make a similar piece to fit in his condominium. He didn't need the hidden compartments, but he did want a showcase area for his fine porcelain and such, and it had to be custom made for his television. This is what I finally delivered. I call it my "Television Showcase Cabinet" -- pretty catchy title! The photos show the cabinet with the TV retracted, and with the TV in the "up" position. The lift mechanism is controlled with a radio frequency remote control so you can sit in your easy chair, or on your bed and raise and lower the TV. I've got to admit, it is really cool!

   

Studio Furniture
    Great news! I've been published! A new book on the shelves called Studio Furniture: Today's Leading Woodworkers by Tina Skinner and published by Schiffer Books has four pages dedicated to my work (and a photo of me)! Here's a picture of the cover. If you look closely you may see a familiar face (and a familiar chair for one of my clients). Hint: look in the lower left corner.

    Another very nice development is that I was interviewed by Woodshop News for a profile article. Woodshop News is one of the most widely read periodicals for the custom furniture industry, and is targeted for the smaller shops. I hate to count my chickens before they hatch, but I think it will make a very nice article. More to follow when the date of the issue is disclosed to me.


    The Philadelphia Invitational Furniture Show is starting a new feature for collectors. It is a "Dutch Auction" on this website, http://auction.philaifs.com/. The way it works is something like this; a maker (like me) lists an item of furniture on the site with a starting price, and each week the price drops by a set amount until the minimum price (like reserve price) is reached. You can bid for the piece for any week you want, and come that week if the piece is not yet sold, you get it for that price. You could get quite a deal, but don't wait too long or you might miss out! I currently have two pieces on the site, so why not come take a look.


    This spring I taught two classes in my workshop, organized
in conjunction with the Rappahannock Art League and Rappahannock Community College. The first two-day class was about furniture design and joinery, while the second class was about veneering, laminating, and finishing. These were demonstration classes, as I have limited bench space, but my students loved them, anyway. I'm going to take a break from teaching, though, and get back to making furniture. Maybe later we can start up the classroom again, especially if I get enough special requests for classes.

Persimmon logs    I received a very interesting commission in February. A local couple had just lost a large persimmon tree andPersimmon on mill was interested in having it milled, dried, and turned into furniture. Now, I knew nothing of persimmon so I quickly got on the internet and learned. It turns out that persimmon is part of the ebony family and had striking dark heartwood grain. But, it is very persnickety to dry without a lot of warping and degradation. So, I picked up the logs (in the photo to the left), milled the tree in the winter (in the photo to the right) and quickly placed it in the solar kiln, my thinking that in the winter the sun is low and the days are short, so the drying would be slow and the planks could relax and lose their stresses without cracking and bending. Well, so much for theory! Although we got a lot of very good lumber, it was not without bending and cracking. Fortunately, we saw this coming and milled the planks thicker than needed for the furniture, so all is well. The lumber is out of the kiln and is relaxing in my climate controlled wood storage area (aka shop basement), and I will soon be designing a piece specifically for the lumber we got out of the tree. It is beautiful wood, and we expect it to become a spectacular piece of custom furniture!

    In January the Rappahannock Art League held a show called "Black, White and Shades of Gray". The idea was to produce a piece of art that wasShadows of Night basically black and white with shades of gray (an aptly named show, indeed). That sounded interesting, and I already had a germ of an idea for a cabinet, so I contemplated making it for the show. The result was my "Shadows of Night", seen at right. For this piece I used the lightest woods I had, with bent laminations of holly for the sides and tulip poplar for the doors. The back, which you cannot see, is maple. The legs are bandsawn ebonized white oak, which means I dyed the oak black, or nearly so. The top and bottom and inside drawer front (you will have to go to my website to see that) are walnut, which I stained a bit darker in the heartwood, leaving the sapwood white. To give the piece a Chesapeake Bay charm, I carved a wetlands scene into the doors. I really love this piece (and it is for sale)!

   Andy and Chris Pye
    And speaking of carving, I did something really different this summer. I actually took a formal class in woodworking! Up to this point I've been totally self taught (actually, I do read a lot, so maybe I should say I self-learn?), but I signed up for a class in relief carving taught by the world famous British carver Chris Pye at the Center for Furniture Craftsmanship in Rockport, Maine. The Center for Furniture Craftsmanship is one of the foremost schools in the country and Chris Pye is one of the foremost carvers in the world. I was very fortunate to get into his class. The first day and a half was entirely consumed by teaching us how to sharpen our tools. That just shows the depth of quality demanded by Chris Pye. If the tools are not as near perfect as we can make them, the work will suffer. That thread was carried through the entire course, and by the end I felt that I knew the right way to approach relief carving, and I had some experience under my belt. The photo is of Chris critiquing my carving. Stay tuned for more carvings in my work!

    In June, Kathy and I attended the Furniture Society Conference, this year held at Appalachian State University in Boone, NC. You have heard me talk of the Furniture Society before - it is a tremendous organization advancing the art of furniture making. The conference is a gathering of hundreds of
makers, educators and students, collectors, museum and gallery professionals, historians, journalists, and folks who just like furniture and I always learn a great deal (and have a great time). This year was no different, as the focus was the furniture industry. We had an opportunity to tour two different furniture factories, and it was eye opening, to say the least. And, I had the personal opportunity to display Shadows of Night in the Member's Gallery. In fact, the editor of Fine Woodworking Magazine featured two shots of Shadows in his blog on FineWoodworking.com. I felt pretty good about that! By the way, if you feel strongly about keeping the art of furniture making healthy, why not consider joining the Furniture Society. You don't have to be a professional furniture maker to be a member, in fact many members don't make furniture at all. If you are interested, click here for membership information.
 
Best regards,
Andy Pitts